In 1912 André Vera printed an essay within the magazine L’Art Décoratif calling for a return to the craftsmanship and supplies of earlier centuries and utilizing a new repertoire of forms taken from nature, notably baskets and garlands of fruit and flowers. A second tendency of Art Deco, also from 1910 to 1920, was impressed by the bright colours of the artistic movement generally identified as the Fauves and by the colourful costumes and units of the Ballets Russes. This fashion was usually expressed with exotic supplies such as sharkskin, mother of pearl, ivory, tinted leather, lacquered and painted wooden, and decorative inlays on furniture that emphasized its geometry. This interval of the type reached its high point in the 1925 Paris Exposition of Decorative Arts. In the late Nineteen Twenties and the Nineteen Thirties, the ornamental type changed, impressed by new materials and technologies.
Using strategically positioned mirrors that …